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5th Annual Halloween Drag Extravaganza:

DRAGUS MAXIMUS
a homersexual opera odyssey

All roads lead to Rome… and to Heartbeat Opera’s fifth annual Halloween Drag Extravaganza! “New York’s singularly unconventional” (Opera News) indie opera company invites you to grab your golden fleece and catch a chariot down to Brooklyn’s Colosseum (aka Roulette) for an operatic, Greco-Roman orgy of gorgeous gladiators and glam goddesses. Join Homer and Sappho in a Herculean quest to Hades and back -- featuring the siren songs of Monteverdi, Handel, and Offenbach, plus a brand new number by Vavrek and Schlosberg. Come in costumes to make Cleopatra drool. When in Rome…

 

Roulette
509 Atlantic Avenue
(corner of Third Avenue)
Brooklyn, NY 11217

3 SHOWS:
Friday, October 26 at 8pm
Saturday, October 27 at 7 & 10pm
Tickets from $30

Tickets available soon!

 

From last year's extravaganza:

 

Production

Stage Direction // Ethan Heard
Music Direction // Jacob Ashworth
Arrangement // Daniel Schlosberg

 
 

Meet the Team

 

ETHAN HEARD

Stage Director

Ethan Heard directs plays, musicals, and operas. As Founding Co-Artistic Director of Heartbeat Opera, he has directed Dido and Aeneas, Kafka-Fragments, The Seven Deadly Sins, and the drag extravaganzas Miss Handel and The Fairy Queen. Other recent opera includes the world premieres of Orth and Campbell’s Empty the House (Curtis Institute of Music) and Cady, Siegel and Welch’s Sisyphus (Experiments in Opera); Erismena and L’Orfeo (Yale Baroque Opera Project), and L’incoronazione di Poppea (Princeton University). Recent musical theater includes Little Shop of Horrors, Bells Are Ringing, and A Little Night Music (Berkshire Theatre Group), the world premiere of Campbell and Michelson’s The Other Room (Inner Voices), Michelson's Song of Song of Songs (Judson), Merrily We Roll Along (Yale Dramat), Sunday in the Park with George (Yale School of Drama), and Mel Brooks’ The Producers (Princeton). Plays include: Lottie in the Late Afternoon and Julius Caesar (YSD), The Cat and the Canary (BTG), The Gay Ivy (Dixon Place), Iphigenia and Other Daughters and Proof (Santa Fe Theater Festival), Pullman WA and in a word (Williamstown Workshop). While earning his MFA at YSD, Ethan served as Artistic Director of Yale Cabaret, where he co-created Basement Hades and Trannequin and began the tradition of Yale School of Drag. He is Resident Director of Jay Chou's The Secret, China's first jukebox musical, and he is currently on faculty at Yale School of Drama, Yale Institute of Sacred Music, and Princeton University. ethanheard.com

 

Jacob Ashworth - Heartbeat Opera

JACOB ASHWORTH

Music Director

Opera News called violinist Jacob Ashworth's 2015 performance of Kurtag’s Kafka-Fragments “a flat-out triumph for its two fearless performers.” At home across the spectrum of classical music, Jacob has gained a reputation as a consummate stylist, from his “diligent attention to [baroque] period style” (NY Times) to his “exacting and sensitive” interpretations of modern works (Boston Globe).  Ashworth is violinist, conductor, and Artistic Director of Cantata Profana, which he founded at Yale School of Music in 2012, and Co-Music Director of Heartbeat Opera. For Heartbeat’s 2016 production of Dido and Aeneas, the New Yorker noted, “Ashworth, leading from the violin, elicited a performance that was elegant, boisterous, and melancholy by turns.”

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DANIEL SCHLOSBERG

Arranger

The music of composer and pianist Daniel Schlosberg has been performed by the the Dover Quartet, Cabrillo Festival Orchestra, Buffalo Philharmonic, Amphion Quartet, Aspen Contemporary Ensemble, Antico Moderno, and Lorelei Ensemble, at such venues as Carnegie Hall (New York), Victoria & Albert Museum (London), St. John’s Cathedral (Hong Kong), and Melbourne Recital Centre (Melbourne). Recent work includes the score for a music-theatrical adaptation of Lorca’s Once Five Years Pass at the Williamstown Theatre Festival, and music direction of Brecht’s Caucasian Chalk Circle at the Yale Repertory Theatre, where he premiered a score by David Lang. He cofounded the composer/performer ensemble INVISIBLE ANATOMY, which debuted last spring with concerts in New York City and at the Beijing Modern Music Festival. Schlosberg received a 2014 Charles Ives Scholarship from the American Academy of Arts and Letters and 2014 ASCAP Morton Gould Young Composer Award. He holds a bachelor’s degree from Yale University and a master’s from the Yale School of Music. His work has been described as “witty” by the Wall Street Journal.